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Commenting that 'the singles aren't what make Transistor great. In contrast, the album was retrospectively received positively by Consequence of Sound, comparing it to The Beatles' album Sgt. Rolling Stone criticized the album, saying it was 'trying too hard to expand their sonic horizons', and commented how they seem to unwillingly change their musical style.

Entertainment Weekly also panned the album, stating that it features 'some of the weakest rhymes and derivative white-bread dub in recent memory' and concluded that the band did not know 'the thin line between experimentation and self-indulgence'. Club, who says 'With 21 songs spread out over 68 minutes, the record has taken plenty of critical punishment for its excessive length alone,' and calls it a 'joyless, tedious exercise in white-boy reggae, white-boy rap, white-boy dub and white-boy rock,' concluding that the band could suffer a ' Spin Doctors-style career combustion' in the future. The album has received criticism from The A.V. They nominated the title track as the only Track Pick from the album. Transistor received a mixed review from Allmusic, who commented that 'a project of this magnitude is almost doomed to fall on its face, and Transistor nearly does,' and noted there were enough good songs for a 30 to 40 minute album, but had too much filler.

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Reception Professional ratings Review scores Transistor also contains elements of dub, space rock and funk. Although, their rap rock style is still present in some songs, such as 'Galaxy', 'No Control', 'Tune In', 'Starshines', and 'Borders'. While still utilizing their alternative rock sound in many songs, Transistor saw 311 moving away from their hip hop-influenced sound of their previous albums for more of a reggae-influenced sound, as shown in songs such as 'Prisoner', 'Inner Light Spectrum', 'Running', 'Rub a Dub', and 'Stealing Happy Hours'. Nick Hexum admitted that doing too many songs in not enough time for Transistor was a mistake. Transistor was originally intended to be a double album, but all songs were instead placed onto one disc. Out of respect for their fan base, the group manage to cram all 21 songs onto one compact disc, saving their mavens a little loose change left over for T-shirts, stickers, and posters, all advertised on the inside.Clocking in at 67:59 and with twenty-one tracks (or twenty-three, counting both hidden tracks), Transistor is 311's longest album and, until their 2017 album Mosaic, was their only album to contain more than sixteen tracks. It's a heady blend of styles that makes the amalgam that is 311 work so wonderfully, and as guitarist-vocalist Nick Hexum has said, 'Transistor is our way of saying that all living things are connected, that we are all conductors of electricity - that we're all part of the same massive energy source and in this way, we're all equal.' Tracks like the mesmerizing dub cut of 'Inner Light Spectrum,' the funk of 'No Control,' the hip-hop flavor of 'The Continuous Life,' and the almost brutal soundscape of 'What Was I Thinking?' (complete with walkie-talkie vocal sounds) showcase the band's love for diverse musical styles and their ability to blend them together into something new, fresh, and compelling. 311, the eclectic musical quintet whose unique and hypnotic blend of reggae, funk, hard rock and hip-hop reached a world audience with the success of their self-titled 1995 album, return with Transistor, their fourth release for Capricorn Records and their most fully realized and ambitious recording yet.